If we assumed I have "absolute eye" in the same sense some musicians have absolute pitch, we'd be close to what I actually do. What to say with it, though, what to play, that's where it gets complicated.

I've spent a lifetime directing, designing and delivering complex audiovisual projects, from close to 400 episodes of scripted television, to award-winning game shows, to prime-time documentary series for national broadcasters. I also lead full post-production pipelines remotely.

Something new entered the picture a year ago: I call it "Generatography," my own shorthand for AI-generative filmmaking. This means I can now take a project from script to final screen delivery, alone if needed, without losing the cinematic instinct built over decades. I don't follow trends. I bend them to the story.

Recognitions: TP Gold Award for Best Game Show (as director); ranked third-best worldwide Video Editor on Creativepool's global Top 25.

Right now I can't show the portfolio I'm proudest of, built for a client under discretion, but busy or not, I'm always interested in new projects.

Latest work: La conquista de la democracia (RTVE, 2024), full remote post-production of a six-part documentary series, archive footage, motion graphics, orchestral score by Alberto Iglesias.

I work globally. Spanish, English, and fluent post-production.